Pending View

Orly Maiberg / Pending View

Opening: 23/11/2017   Closing: 5/1/2018

Pending View, Installation view, noga gallery, 2018
Pending View, Installation view, noga gallery, 2018
Pending View, Installation view, noga gallery, 2018
Pending View, Installation view, noga gallery, 2018
  ink and acrylic on canvas, 177x198 cm ,2017
 ink and acrylic on canvas, 121x101 cm ,2017
 ink and acrylic on canvas, 173x93 cm, 2017
ink and acrylic on canvas, 196x254 cm,2017
ink and acrylic on canvas, 81x183 cm, 2017
ink and acrylic on canvas, 270x181 cm, 2017
ink and acrylic on canvas, 169x207 cm, 2017
ink and acrylic on canvas, 180x120 cm, 2017

The paintings composing “Pending View” reveal a floating world, which, alongside the ephemeral installation, might gain an apocalyptic air. However, through the destabilization of the existing order, a new state emerges, one in which construction and destruction, or extinction and continuity, exist side by side. The figures seem to possess a twofold relationship with their fluid environment.

 

The installation stresses the paintings’ unified continuity. They hang from the ceiling, while creating an inner, circular structure in the middle of the gallery – a makeshift construction into which the viewer is welcomed to enter. There, surrounded by the large canvases, the viewer might find what he wished for – a balance, a focal point. This constellation is reminiscent of Edmund Husserl’s phenomenological definition of the horizon. Husserl distinguishes between an “internal horizon” and an “external horizon”. The first includes the visible aspects of a given object – in this case, the inner sides of the canvases – the carriers of the image. The latter refers to the invisible aspects of the object – the outer sides of the canvases.

 

Through this installation, a shared horizon is formed: a mountain, a rope and a water body join together into a new panoramic landscape. Thus, the exhibition as a whole is an experiment in horizontality – the horizon might be missing in the works themselves, but is formed from their joint presentation. For the viewer, it is a paradoxical horizon – a round horizon, encircling him all around

 

A freedom, which is both terrifying and liberating, is the one taken by Maiberg in this series. The horizon allows fluidity and flexibility not just in terms of color and matter, but as a possible subjective movement in space. In this manner, the viewer, like the figures, finds himself hanging between above and below, here and there, past and future. The unreachable circular horizon allows a new and different linear perspective – a time pending

view.

 

Keren Goldberg, from “free fall ” the exhibition catalogue