Monochrome

monochrome / group exhibition

opening: 24/05/2024   closing: 31/07/2024

Alexandra Zuckerman, Indanthrene Blue, 2024, soft pastel on paper 102 × 72 cm
Alexandra Zuckerman, Scarlet Red, 2024, soft pastel on paper 102 × 72 cm
Joshua Borkovsky, Dream Stones 25, Oil on wood, 40 × 40 cm
 Joshua Borkovsky, Echo and Narcissus (Dyptich), 2020 Distemper on gesso on wood 81.5 × 70 cm
Yitzhak Livneh, The Invention of Photography 8, 2012, Oil on canvas 100 × 100 cm
Yitzhak Livneh, Adonis, 2011,Oil on canvas, 100 × 90 cm
Mosh Kashi, Blue Spectrum #3, 2019 Oil on canvas 60 × 40 cm
Maayan Elyakim, Pineal Gland, 2010 archival inkjet print on cotton rag paper 180 × 120 cm
Maayan Elyakim, Untitled (Ha'levana), 2018 screen print, offset print, foil emboss and pencil on black paper in artist frame 47 × 35 cm
Maayan Elyakim, Untitled (Kiss), 2017 Archival Pigment Print 34 × 23 cm
Talia Keinan, Untitled (Moths), 2020 Mixed Media on paper 49 × 48.5 cm
Carlos Amorales, Bird Woman Family, 2010, Oil on wood 50 × 38 cm
Eti Jacobi Lelior, The Blue Bambi 2, 2023, Acrylic on canvas, 100×100 cm
Lea Avital, Eye, 2014, Mixed Media, 41 × 45 cm
Yonatan Zofy, Rock, 2023 Pin holes on paper 31 × 42 cm
Rachel Rabinovich, Untitled, 2022 Acrylic and gouache on paper 45 × 25 cm
Rachel Rabinovich, Erut Layla, 2022 oil and pencil on wood 60 × 52 cm

Carlos Amorales · Lea Avital · Joshua Borkovsky · Itzhak Livneh · Maayan Elyakim · Eti Jacobi Lelior

Mosh Kashi · Talia Keinan · Rachel Rabinovich · Yonatan Zofy · Alexandra Zuckerman

 

The painting presents the “outward appearance of the self-centered inner life” *

The monochromatic painting, reduced in colour, tending towards abstract minimalism is the symbol of material erasure and spirituality. it allows a deeper reflection and an inward observation.

For the exhibition, single coloured works in a variety of tonal shades were chosen. most of them are in lack of an image, or it may appear hidden or disguised.

Although each of the participating artists works in a different method, the reduction of means offers a quiet, focused uniformity, free of noise, converging into silence.


* “The Western System of the Arts”, P.O Kristeller • M. Barash
The Western System of the Arts, (D) p. 88

Haim

Haim | Alexandra Zuckerman

opening: 07/02/2025   closing: 08/03/2025

Haim (18), Pencils on A4 paper, 29.7X21cm, 2025
Haim (1), Pencils on A4 paper, 29.7X21cm, 2025
Haim (2), Pencils on A4 paper, 29.7X21cm, 2025
Haim (3), Pencils on A4 paper, 29.7X21cm, 2025
Haim (5), Pencils on A4 paper, 29.7X21cm, 2025
Haim (6), Pencils on A4 paper, 29.7X21cm, 2025
Haim (11), Pencils on A4 paper, 29.7X21cm, 2025
Haim (12), Pencils on A4 paper, 29.7X21cm, 2025
Haim (13), Pencils on A4 paper, 29.7X21cm, 2025
Haim (14), Pencils on A4 paper, 29.7X21cm, 2025
Haim (15), Pencils on A4 paper, 29.7X21cm, 2025
exhibition view, photo by elad sarig
exhibition view, photo by elad sarig
exhibition view, photo by elad sarig
exhibition view, photo by elad sarig
exhibition view, photo by elad sarig

The work of Alexandra Zuckerman takes the language of drawing on paper as a way to reflect about inner connections between the field of fine art to that of applied arts and craft.

 

“Haim” is the title of a new body of work that Zuckerman has been developing over the past few months. It consists of drawings on A4 format paper (29.7 by 21 cm), meticulously created with colored pencils, covering the entire surface of the paper.

 

The stripes featured in the drawings are inspired by the arrangement of warp threads used in the weaving process. This series reflects her ongoing interest in design, textiles, and weaving, as well as their connection to modernism and abstraction seen from a feminine perspective.

 

The formal and chromatic choices made by the artist result in repetitive patterns, offering extensive opportunities for playfulness and creative freedom in composition, color schemes, and their combinations, while simultaneously conveying a unique sense of discipline.

 

The title of the series, haim [חַיִּים], is the Hebrew word for life and a male given name that used to be quite popular in Israel. In Hebrew life is always defined as plural – lives – and in this context the title embodies the repetition and plurality that is inherent in the works.

 

Alexandra Zuckerman (*1981, Moscow) lives and works in Tel Aviv. Her work was presented at Israel Museum, Jerusalem, Tel Aviv Museum of Art, Petah Tikva Museum of Art, MoBY – Museums of Bat Yam, Artist’s House in Jerusalem, kim? Contemporary Art Centre in Riga, Galeria Sabot in Cluj-Napoca, and Magasin III in Stockholm. This is her third solo exhibition at Noga Gallery for Contemporary Art.

 

Nicola Trezzi