Haim

Haim | Alexandra Zuckerman

opening: 07/02/2025   closing: 08/03/2025

Haim (18), Pencils on A4 paper, 29.7X21cm, 2025
Haim (1), Pencils on A4 paper, 29.7X21cm, 2025
Haim (2), Pencils on A4 paper, 29.7X21cm, 2025
Haim (3), Pencils on A4 paper, 29.7X21cm, 2025
Haim (5), Pencils on A4 paper, 29.7X21cm, 2025
Haim (6), Pencils on A4 paper, 29.7X21cm, 2025
Haim (11), Pencils on A4 paper, 29.7X21cm, 2025
Haim (12), Pencils on A4 paper, 29.7X21cm, 2025
Haim (13), Pencils on A4 paper, 29.7X21cm, 2025
Haim (14), Pencils on A4 paper, 29.7X21cm, 2025
Haim (15), Pencils on A4 paper, 29.7X21cm, 2025
exhibition view, photo by elad sarig
exhibition view, photo by elad sarig
exhibition view, photo by elad sarig
exhibition view, photo by elad sarig
exhibition view, photo by elad sarig

The work of Alexandra Zuckerman takes the language of drawing on paper as a way to reflect about inner connections between the field of fine art to that of applied arts and craft.

 

“Haim” is the title of a new body of work that Zuckerman has been developing over the past few months. It consists of drawings on A4 format paper (29.7 by 21 cm), meticulously created with colored pencils, covering the entire surface of the paper.

 

The stripes featured in the drawings are inspired by the arrangement of warp threads used in the weaving process. This series reflects her ongoing interest in design, textiles, and weaving, as well as their connection to modernism and abstraction seen from a feminine perspective.

 

The formal and chromatic choices made by the artist result in repetitive patterns, offering extensive opportunities for playfulness and creative freedom in composition, color schemes, and their combinations, while simultaneously conveying a unique sense of discipline.

 

The title of the series, haim [חַיִּים], is the Hebrew word for life and a male given name that used to be quite popular in Israel. In Hebrew life is always defined as plural – lives – and in this context the title embodies the repetition and plurality that is inherent in the works.

 

Alexandra Zuckerman (*1981, Moscow) lives and works in Tel Aviv. Her work was presented at Israel Museum, Jerusalem, Tel Aviv Museum of Art, Petah Tikva Museum of Art, MoBY – Museums of Bat Yam, Artist’s House in Jerusalem, kim? Contemporary Art Centre in Riga, Galeria Sabot in Cluj-Napoca, and Magasin III in Stockholm. This is her third solo exhibition at Noga Gallery for Contemporary Art.

 

Nicola Trezzi

Slat By Slat

Slat By Slat | Hilla Toony Navok

opening: 14/03/2025   closing: 31/05/2025

Slat By Slat (1), Mixed Media, 50X50 cm, 2025
Slat By Slat (2), Mixed Media, 50X50 cm, 2025
Slat By Slat (3), Mixed Media, 50X50 cm, 2025
Slat By Slat (4), Mixed Media, 50X50 cm, 2025
exhibition view, photography by Lena Gomon
exhibition view, photography by Lena Gomon
exhibition view, photography by Lena Gomon
exhibition view, photography by Lena Gomon
exhibition view, photography by Lena Gomon
exhibition view, photography by Lena Gomon
exhibition view, photography by Lena Gomon
exhibition view, photography by Lena Gomon

 “Slat by Slat” is the new exhibition by Rappaport Prize-winning artist Hilla Toony Navok.

 

Following two major sculpture exhibitions at the Tel Aviv Museum and the Herzliya Museum, Navok now presents a new series of drawings at Noga Gallery, created using an unusual sculptural technique. Over the past year, she has produced hundreds of small, individual units of abstract drawings—like building blocks. Through an extensive process of assembly, she has carefully combined these units to form rich, dense, and multilayered compositions.

 

The exhibition features 11 new drawings on paper alongside four relief drawings made of aluminum, each in a square format. In these relief drawings, Navok has integrated various everyday objects taken from domestic spaces—towels, blinds, a pipe, and half of a work table—embedding them into the compositions. This process of merging objects with the drawings highlights their abstract and sculptural qualities.

 

The techniques of layering, compression, and assembly evoke a sense of fortification and blockage —a feeling of falling apart and collapsing—paired with a desperate attempt to hold everything together and make use of what there is.

 

Hilla Toony Navok, born in Tel Aviv-Yafo, works across sculpture, video, and drawing. She teaches sculpture at the Bezalel Academy of Arts and Design. Her work explores abstract and poetic qualities found in everyday Israeli surroundings and well-recognized local materials.

 

Navok has received numerous awards, including the Rappaport Prize for a Promising Artist from the Tel Aviv Museum of Art (2020), the Beatrice Kolliner Prize for a Young Artist from the Israel Museum (2019), the Discount Bank Prize (2020), the Minister of Culture Prize (2019), and an Artist Residency Scholarship at Artport (2015).

 

She is also a co-publisher at Poraz et Navok. Her Permanent public sculptures include Lighthouse (2023), installed on Al Parashat Drahim Street in Tel Aviv, and Sunrise-Sunset (2019), located at the Navon train station in Jerusalem.

 

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