Amikam Toren

8.9.05-9.10.05



Amikam Toren is showing in his first comprehensive exhibition in Israel works from four series.

Plan B is a three dimensional parallelogram built from 1500 wooden figurines, collected from different markets, representing diverse cultures and religions. The sculpture that looks like an architectural model combines esthetical tensions accumulating to a powerful effect of beauty, astonishment and wonder.

Insomnia institute is a series of drawings created through the observation of the emerging sculpture of Plan B. Therefore, the automatic drawings draw one's attention back to the sculpture as though capturing the empty spaces between the figurines.

Clouds in trousers are five white overalls worn by artists during their work in a studio. Toren uses an unpicked trouser as a canvas stretching it on a wooden frame; he lets his brush wander on the surface until some image appears on the fabric while cleaning the excesses of paint on the overall. The line of overalls hanging on the wall inevitably invites some unpleasant images of a slaughter house.

Armchair paintings
are oil paintings that one can buy at the market and antique shops. In the center of those idealistic and kitsch paintings Toren cuts out words or sentences, thus updating the painting and recovering its lost quality. The bare wall behind the painting becomes part of it as the letters cast their shadows on the wall. The paintings represent a postmodern irony as a work of art is upgraded through its destruction.

Naomi Aviv, curator
(excerpts)


 

Project Room

Keren Assaf

8.9.05-9.10.05

Keren Assaf's work appeared on the cover of August 2005 edition of ArtReview and on the cover of the book "reGeneration, 50photographers of tomorrow", by Thames&Hudson, 2005

Keren Assaf is showing color prints of different sizes. She is trying to define in her works the "Israeli", an utopian model deeply connected to the place, memories and identity. Assaf's work relates to the family album, a central narrative in the Israeli photography. The photographs depict the Israeli dream of a house in a village, a happy family, a green lawn.

The setting is staged, styled and meticulously performed, while each detail receives the maximum attention in order to achieve perfection. However, Assaf does not strive to represent the dream, but rather to observe, criticize and expose other disturbing sides of this dream that are interwoven with the idyllic picture.

Plan B -   Mixed Media, (drawing desk, miniature sculpture), 70x45x120cm.,
2005

Plan B -   Mixed Media, (drawing desk, miniature sculpture), 70x45x120cm.,
2005

Armchair Painting - Untitled, oil on canvas, 60x40cm., 2005
   
 


Keren Assaf, Photography, 2005


Keren Assaf, Photography, 2005